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Former Auschwitz Kitchen Repurposed as Holocaust Art Memorial

Former camp building to house thousands of artworks as Auschwitz marks 80 years since liberation.

The former kitchen at Auschwitz, a silent witness to the horrors of the Nazi death camp, is being transformed into a memorial dedicated to Holocaust art. Located near the camp’s infamous ‘Arbeit Macht Frei’ gate, the building will house thousands of artworks created during and after the Holocaust, offering visitors a unique lens into the lives of those who endured unimaginable suffering.

This transformation coincides with the upcoming 80th anniversary of Auschwitz’s liberation in January. An international design competition is underway to shape the exhibition, guided by former prisoners, historians, curators, and Holocaust experts.

The memorial will showcase 4,000 pieces of art, ranging from secret sketches created under threat of death to commissioned works by inmate artists for Nazi officers. Many of these pieces depict the harsh realities of camp life, while others reflect the personal trauma processed by survivors after liberation.

“The works of art constitute a unique collection that provides direct testimony of people doomed to survive in the worst of circumstances,” said Piotr Cywiński, director of the Auschwitz Museum. “These images are an essential element to fully understand the tragedy of humanity during the Holocaust.”

With nearly two million annual visitors, museum officials envision a space where people can reflect on the profound human experiences conveyed through the artwork.

The art memorial takes on added importance as the number of Auschwitz survivors dwindles. The last major commemoration, held five years ago, saw only 200 survivors able to attend.

Notable figures like Kazimierz Albin, the final living witness from the first Polish transport, and Dario Gabbai, a Sonderkommando unit survivor, have since passed. Their absence underscores the urgency of preserving the memories and emotions expressed through art.

“This channel of communication, meetings with former Auschwitz prisoners, is coming to an end,” Cywiński noted. “The paintings convey coldness, hunger, and death. They speak in every language, to every person. It is a documentation of Nazi terror, but also a story of hope and the strength of humanity, expressed through art in defiance of camp conditions that are incomprehensible today.”

As Auschwitz prepares to mark its 80th year of liberation, the new art memorial promises to be a powerful addition to the camp’s legacy. It will preserve not only the memories of those who endured the Holocaust but also the enduring strength of the human spirit as expressed through creativity and defiance.

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